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After Candace: The Art of Healing Documentary Film and Discussion Guide

Cliff and Wilma Derksen share their story of resilience and posttraumatic change following the murder of their daughter Candace in 1984. Wilma reflects on complex grief and healing, while Cliff shares the power of art to transform trauma. Full of wisdom, faith, and vibrant creativity, Cliff and Wilma help us understand the multifaceted nature of violence and recovery. The documentary is filmed on location in Winnipeg, Canada.

This discussion guide follows the themes and art pieces presented in the film, offering reflection questions and discussion prompts. The guide can be used in its entirety or you can focus your discussion on an area that resonates with your group.

Participants could be grouped together to discuss different themes, or encouraged to choose questions independently and provide a written response.

Watch the film

Introduction

Candace went missing on November 30th, 1984, leading to the biggest search in Winnipeg up to that time. Her body was found seven weeks later.

  • Why do you think Wilma felt "normal" after attending a group therapy session for families of homicide victims?
  • How does Cliff describe the value of creating art following a traumatic event?
  • Wilma describes an interaction with a man who came to her house who told her what to expect in the aftermath of their tragedy. How did his visit shape the Derksens' grieving process?

Photo credit: Winnipeg Free Press

Story Fragmentation

Story fragmentation refers to the different narratives that resulted from Candace’s disappearance. The police said she was a runaway, the family said she was abducted.

Sculpture: Jonah

Jonah risked his life running away from the words that were given to him. This sculpture represents Cliff's challenge to accept his own new story. Working on this piece, Cliff recognized that, like Jonah, he too was trying to run away.

  • What specific worry did Cliff experience when he recognized how anger was affecting his life?
  • Cliff discusses how, for him, forgiveness was a necessary step in controlling his anger. What other steps might a victim or survivor take to deal with their anger?
  • Can you think of other ways that victims or survivors of crime experience story fragmentation?

Terror Trauma

Terror Trauma refers to the feelings of fear and evil that overshadowed the Derksen family after Candace disappeared. It involved the presence of an unknown enemy within their lives and trying to comprehend evil.

Sculpture: Throne of Swords

Inspired by Game of Thrones, the swords represent identity. Cliff describes how the treasured swords of fallen soldiers were gathered to make a throne as a symbol of power and domination. For Cliff, it represents the magnitude of evil that can reside in the human heart.

  • Cliff found it emotionally challenging to finish the Throne of Swords. What made it so difficult for him?
  • How did fear affect Wilma after Candace disappeared?
  • How does this piece relate to Cliff and Wilma's recovery process?
  • What other ways might violence affect a victim or survivor's identity?

Uncontrollable Rage

Wilma explains that rage was a powerful, natural, and necessary reaction. It felt out of character and highlighted how the murder had changed her. Wilma talks about confronting the destructiveness of rage in order to move forward.

Sculpture: Werewolf

The werewolf represents the transforming nature of anger felt by the family, at times overpowering their peace-loving identities.

  • Wilma talks about rage and revenge being associated with love. Why is there a connection between these emotions?
  • What does Wilma mean when she says, "rage is like water?"
  • Wilma describes rage as being constructive. What does she mean?
  • Why might family, friends, and service providers need to understand rage as a response to trauma?

Disabling Harm

The Derksens experienced trauma that affected their physical and mental health, functioning, and sense of control over their lives. The criminal justice system reinforced feelings of powerlessness.

Sculpture: Systems

Systems represents the challenges of dealing with the criminal justice process. The Derksens felt unacknowledged by the system, even though the legal case was about their daughter. There was no space for them. This sculpture is symbolic of the attitudes towards the criminal justice system that many victims experience.

  • Why did the Derksens put the Systems sculpture in front of the Canadian Museum for Human Rights?
  • What role do you believe victims should play in the criminal justice system?
  • How can service providers support victims, survivors, and their loved ones through the criminal justice process?

Time/Memory Warp

Time/Memory warp represents how the Derksens' sense of time became tied to new timeframes: before Candace and after Candace.

Sculpture: Fence post

The piece focuses on the representation of the "broken mind" experienced in victimization. The tortured face symbolizes the internal pain a victim experiences that often goes undetected by the outside world.

  • Why does trauma affect a person's sense of time?
  • Why did Wilma suggest that having a broken mind is more painful than being in a hospital bed with an illness?
  • How can people support victims and survivors experiencing time/memory warp?

Blame/Guilt Confusion

Wilma says there was a strong need to blame someone for what happened; however, the blame could easily be misdirected.

Sculpture: Doubt

Doubt was created in response to the Derksens' experience in the court system. It signifies the sense of doubt that developed towards the justice system due to the unexpected negative treatment they received from the defense in the courtroom.

  • How can the need to blame affect those closest to us?
  • What might help to reduce the harm and re-victimization many victims experience in criminal court?

Victim/Offender Trauma Bond

Wilma needed to better understand murder, so she met with ten men in prison. She had an honest conversation that sparked her compassion and helped her see the men as human.

Sculpture: Samson

This sculpture represents someone who treated women very badly. He represents Cliff's personal connection and struggle to understand how another man, one of his own kind, could take his daughter's life.

  • Why did Wilma feel drawn to speak with men in prison who were convicted for murder?
  • What did she gain from the experience?
  • What was one of the hardest parts of the healing journey for Cliff?
  • Some survivors will want to communicate with the people who harmed them while others will not. Restorative Justice (RJ) programs can help to facilitate this kind of communication. What programs exist in your community that could meet this need?

Truth Dilemma

The drive to know what happened was powerful. The Derksens had lived in a mystery for many years and found it useful to learn about specific details as the case unfolded. They were still left with many questions.

Sculpture: DNA

This sculpture represents the hope that DNA evidence would provide the Derksens the truth. However, DNA is messy and there is a transition when the Derksens realize that "there is no definitive truth."

  • Why did Wilma want to know the exact details of what happened to Candace?
  • Why is the fear of the unknown so troubling?
  • Why might some victims and survivors want to know (or not want to know) the details of what has happened to their loved one?

Grief Displacement

Grieving from violence is difficult because another human being chose to impose the pain. It adds complexity to the grieving process, making it difficult to focus.

Sculpture: Tied Hands

Cliff created this sculpture to emulate Candace's experience of being tied up in a shed for seven weeks. Through this sculpture, he was hoping to experience and feel what Candace had endured. Cliff chose to use his own hands in the sculpture to signify his deep wish that it would have been him instead of Candace. The tying of his hands represents his loss of control in being able to protect his daughter.

  • How was making this sculpture therapeutic for Cliff?
  • Wilma mentions that her loss was overshadowed with so many different issues. How does grief displacement affect the healing process?
  • How can service providers, family, and friends develop a better understanding of complex grieving? Why would that be important to survivors?

Identity Devastation

After Candace was murdered, people began referring to Wilma and Cliff as "parents of a murdered child." In the eyes of the community, this became their central identity.

Sculpture: Foxy David

This piece represents the predatory nature of the murder. Foxy David symbolizes the corrupt identity and power the murderer held over 13-year-old Candacehow he watched her, and how he took what was not his to have.

  • How is Wlima affected by being introduced as a parent of a murdered child?
  • Why was this sculpture placed under The Alloway Arch in Winnipeg?
  • Cliff states that this sculpture was shocking to him. Why was this?
  • How can service providers support victims and survivors who are going through identity devastation?

Spiritual Crisis

Cliff and Wilma wrestled with questions about their core beliefs and their faith. Where was God when Candace was suffering and could this God be trusted again?

Sculpture: Hand of God

Inspired by William P. Young's bestseller The Shack (2007), this sculpture displays a shack being held by God's hand. It represents the Derksen's belief that God was with Candace in the shack where she was murdered, and that she was not alone.

  • Why did Wilma and Cliff choose to film their interviews in the ruins?
  • For survivors who identify with a faith, what types of questions do they need to reconcile with their beliefs?
  • For survivors who do not identify with a faith, what types of questions might come up about their core beliefs?

Justice Revictimization

The criminal justice system moves slowly and survivors can feel unacknowledged throughout the process. Wilma discusses how this causes revictimization.

Sculpture: Justice Ladies

Cliff created a new Justice Lady to reflect how DNA evidence was transforming the criminal justice process. The sculpture is blindfolded around the eyes and the scales of justice, reflecting how the Derksens felt ignored and unseen within the system.

  • How were the Derksens affected by the criminal justice process?
  • How could the justice system be improved so that victims feel "seen," without compromising the rights of the accused?

Recovery Controversy

Each person's reaction to traumatic loss is different. It includes deeply personal emotions and choices. The Derksens experienced controversy for choosing forgiveness.

Sculpture: Dancing David

Dancing David represents the joy that was coming back into the Derksens' lives after feeling like they would never smile again. David stirred up controversy by dancing naked after a big victory. He experienced judgment in his community for how he expressed his joy.

  • Wilma mentions that recovery is different for each person. How does this contribute to controversy?
  • Why did Wilma and Cliff feel pressure to keep their happiness a secret?
  • How can you be an effective source of support to victims and survivors navigating controversy in their communities?

Unsatisfactory Closure

"Closure" does not come with a guilty verdict in the justice system. It is an elusive idea and for many survivors it can become an offensive term. While the justice system could not offer closure, the Derksens found that it was possible to create their own.

Sculpture: Resting David

This piece shows David resting in his armour. It is symbolic of the idea that you are always in defence mode and can never truly rest. It represents always being ready for battle at any time, but taking a moment to rest and breathe.

  • What do you think Wilma meant by “you can fashion any kind of closure you want”?
  • How did Cliff identify with the sculpture of Resting David?
  • How can service providers support victims and survivors who feel that things are unresolved?

Paralyzing Despair

Coping with murder is overwhelming; all the feelings can accumulate into overwhelming despair that makes it difficult to move forward. It is common to feel "stuck."

Sculpture: David & Goliath

The story of David and Goliath is one of an unlikely hero: David is a boy who takes on a giant and wins. In this sculpture, Goliath is a representation of overwhelming grief. The fact that David is holding Goliath's sword in victory is showing that he has overcome his adversary.

  • Why did the Derksens place this sculpture at the bottom of the stairs leading to the legislature building?
  • What did Wilma describe as one of the main challenges she faced?
  • Reflecting on how a survivor's needs can change over time, what supports might be needed 5, 10, or 20 years after victimization?
  • What training or resources are available in your community to support survivors who may be thinking about suicide?

Letting Go

This is a symbol of freedom. Candace is no longer tied up, and the Derksens have found a way forward through a process of letting go.

Sculpture: Feathered Hands

Cliff's second sculpture of hands now shows the rope broken free. The locket represents Candace’s best friend and the importance of friendship, community, and goodwill.

  • How is Feathered Hands a symbol of the Derksens' healing journey?
  • Wilma says that even the people in prison have stories and should be heard. What does she mean?
  • Why is having a strong sense of community and support important for survivors?

Recycling the Tragedy

Recycling is the process of changing the fear, torture, ugliness, negativity, and evil that was in control of their lives into something new.

Sculpture: Throne of Swords with a Seat of Feathers

Cliff was never comfortable with the Throne of Swords and needed to find a way for the piece to better reflect how he felt. He designed a seat of feathers to represent the transformation of tragedy into something beautiful.

  • Cliff says that feathers speak of “warmth, of nurturing, of comfort”. Why did he choose to place the Seat of Feathers in the Throne of Swords?
  • How is recycling tragedy an ongoing process?

For more information, please see these books by Wilma Derksen:

Books can be purchased from: https://www.amitypublishers.net/

Thank you for watching.

Film Acknowledgements

Thank you to Cliff and Wilma Derksen for opening your lives to our team. Your wisdom, courage, and kindness is inspiring.

Thank you to ShmoofyPoof Creative for your film and editing support on this project.

Film Guide Acknowledgements

Algonquin College Faculty: Benjamin Roebuck, Diana McGlinchey, Jennifer Barkley, Alyssa Ferns, Lisa Gerrard, Cat Barron, Algonquin College Students (Victimology): Kristine Hastie, Marissa Taylor, Ashley Burns, Sheldon Schultz, Mary Chalette-Slater, Chioma Okeke, Ksenija Cosovic, Simrat Bhele, Emily Hudson, Riya Grace Xavier, (Community & Justice Services): Rachael Fitzpatrick, (Police Foundations): Andrew D’Alessio

Community Acknowledgements

Thank you to Circles of Support and Accountability (COSA) and the Criminalization and Punishment Education Project (CPEP) for your support.

Funding Acknowledgements

  • Social Sciences and Humanities Research Council of Canada (SSHRC)
  • Victims and Survivors of Crime Week (VSCW) - Department of Justice Canada
  • Algonquin College Innovation Fund (ACIF)